Public Image.
John Lydon <3
Addicted.
.
Ma bulle à moi, je te déconseille de l'avaler. Même si tu as très faim :)
Descripción :
☆
Twiggy Ramirez, dubstep, son, gens, films d'horreur, joie de vivre, tourments & barbapapa.
☆
[Moi c'est ManZa]
Su perfil
avale-ta-bulle
20 años
Lille
(59)
Francia
.Tout me paraît surréaliste. Et vous? Ca fait trois semaines que j'apparais comme rongée, moi qui prétend à être la super-héroïne de la joie de vivre. Cela fait trois semaines que je ne vis plus, et un matin, je me suis reveillée, enfin. J'ai ouvert les yeux l'esprit encore rêveur, j'avais rêvé que tout se terminait. Mon corps y a cru, j'ai descendue la rue en me disant que tout ça ne s'était jamais passé, que ça ne pouvait pas m'arriver à moi. Au même moment les choses ont changé.... alors j'navigue entre le vrai et le flou. .
Public Image.
John Lydon <3
Addicted.
.
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# Enviado el domingo 22 de noviembre de 2009 16:44
Modificado el viernes 27 de noviembre de 2009 09:45
Please, take me to the Hospital.
______________________________________
________●°____________________°●__________________________________[dessin d'moi à l'arrache.]
________I________++++++++________I
________I________++++++++________I______________________________________________________________________
________I________++++++++________I______________________________________________________________________
________I_++++++++++++++++++++++_I______________________________________________________________________
________I_+++++++++HELP.++++++++_I
________I_++++++++++++++++++++++_I______________________________________________________________________
________I________++++++++________I______________________________________________________________________
________I________++++++++________I
________I________+++++.________I________________________________________✖ I've lost my Android ✖
________°●___________________●°
In this film, 964 Pinocchio (Hage Suzuki) is a strange type of cyborg – someone that used to be human but now has been transformed into a sex slave sold as product. Unfortunately, he no longer “functions” so his owners, a pair of sex-crazed, truly bizarre and sadistic chicks, have thrown him out in the street. Simultaneously, a nurse with a mysterious past, named Himiko (played by Onn Chan), has lost her memory, and she too has been evicted to the streets. The two outcasts meet up and seem to have a strange attraction to one another. As 964 Pinocchio is essentially a child who seems to have little understanding or awareness of the external world, Himiko takes care of him. She takes him to her living quarters in the basement of a deserted building, and takes him on a food shopping spree where they steal and eat food in the grocery store. Himiko finds out that the corporation that produced Pinocchio is feverishly looking for him, as they are afraid that their illegal process for creating sex slaves will be made public. Eventually, 964 Pinocchio starts to gain awareness, and begins to wonder what has happened to him. After becoming frightened and agitated, Himiko calms him down, and then they both realize they have found a “like” soul and then make love (apparently 964 Pinocchio is able to perform when his feelings are re-engaged). Unfortunately, this event unleashes unseen forces inside of 964 Pinocchio – forces that are past the point of control. In short, all hell breaks lose – 964 Pinocchio begins spouting bodily fluids of all kinds and Himiko is thrown against the wall, and finally begins experiencing her own version of the horror. From there, the movie becomes a experiential voyage into the crazed and surreal. The corporation is still after 964 Pinocchio, but they soon discover he is not the same as he once was.
Himiko and 964 Pinocchio have a spiritual connection from their first encounter. We almost get the sense from Himiko's flashbacks that she was one of the nurses who was complicit in creating 964 Pinocchio. When she remembers this, she loses her sanity. Even though the intense power released destroys their relationship in the physical world, their spirits remain connected. At the end, Himiko is consumed by the Dragon (the essence of the humanity and the world itself) – by taking her head and placing it on his own, 964 Pinocchio consciously decides to end his physical life and join her spirit. At the end, their spirits are joined, and they experience never-ending peace. [from www.cyberpunkreview.com].
________●°____________________°●__________________________________[dessin d'moi à l'arrache.]
________I________++++++++________I
________I________++++++++________I______________________________________________________________________
________I________++++++++________I______________________________________________________________________
________I_++++++++++++++++++++++_I______________________________________________________________________
________I_+++++++++HELP.++++++++_I
________I_++++++++++++++++++++++_I______________________________________________________________________
________I________++++++++________I______________________________________________________________________
________I________++++++++________I
________I________+++++.________I________________________________________✖ I've lost my Android ✖
________°●___________________●°
____________________________________________________________________________________________________________
______________________________________________₪ .☆.☆..__________________________________________._____
____________________________________________________________________________________________________________
In this film, 964 Pinocchio (Hage Suzuki) is a strange type of cyborg – someone that used to be human but now has been transformed into a sex slave sold as product. Unfortunately, he no longer “functions” so his owners, a pair of sex-crazed, truly bizarre and sadistic chicks, have thrown him out in the street. Simultaneously, a nurse with a mysterious past, named Himiko (played by Onn Chan), has lost her memory, and she too has been evicted to the streets. The two outcasts meet up and seem to have a strange attraction to one another. As 964 Pinocchio is essentially a child who seems to have little understanding or awareness of the external world, Himiko takes care of him. She takes him to her living quarters in the basement of a deserted building, and takes him on a food shopping spree where they steal and eat food in the grocery store. Himiko finds out that the corporation that produced Pinocchio is feverishly looking for him, as they are afraid that their illegal process for creating sex slaves will be made public. Eventually, 964 Pinocchio starts to gain awareness, and begins to wonder what has happened to him. After becoming frightened and agitated, Himiko calms him down, and then they both realize they have found a “like” soul and then make love (apparently 964 Pinocchio is able to perform when his feelings are re-engaged). Unfortunately, this event unleashes unseen forces inside of 964 Pinocchio – forces that are past the point of control. In short, all hell breaks lose – 964 Pinocchio begins spouting bodily fluids of all kinds and Himiko is thrown against the wall, and finally begins experiencing her own version of the horror. From there, the movie becomes a experiential voyage into the crazed and surreal. The corporation is still after 964 Pinocchio, but they soon discover he is not the same as he once was.
Himiko and 964 Pinocchio have a spiritual connection from their first encounter. We almost get the sense from Himiko's flashbacks that she was one of the nurses who was complicit in creating 964 Pinocchio. When she remembers this, she loses her sanity. Even though the intense power released destroys their relationship in the physical world, their spirits remain connected. At the end, Himiko is consumed by the Dragon (the essence of the humanity and the world itself) – by taking her head and placing it on his own, 964 Pinocchio consciously decides to end his physical life and join her spirit. At the end, their spirits are joined, and they experience never-ending peace. [from www.cyberpunkreview.com]
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# Enviado el sábado 21 de noviembre de 2009 13:21
Modificado el domingo 22 de noviembre de 2009 09:16
.._______________________________________________________________________________Nai.Ls_______________________________________________________________________________.✖..
●●●
C'est à s'enfoncer dans ces bois. Si loin déjà, c'est à n'en plus savoir si les mots sauront naître de cette histoire. Comment dire? Je ne sais pas. Je ne sais plus, et c'est bien là le problème. Je ne sais plus parler, je n'ose plus écrire. Alors... comment faire pour sortir? Je suis comme ces jeunes oiseaux, attendant qu'on me mette une solution dans le bec... les bras tendus à refuser leurs critiques, je ne supporte plus leurs regards. Je me fous de ce qu'ils peuvent penser, je plains leurs vies s'ils n'ont pas mieux à faire que de me juger... et au fond. Je me sens tellement seule au milieu de ces bois. C'est quand on a besoin d'aide qu'on se rend compte que les portes se ferment. Le nid est vide et je ne sais pas décoller. J'avais qu'à suivre les autres, j'ai plus qu'à m'en prendre à moi même. Et ensuite? Si je saute, je tombe. Si je reste, je crève.
________•_.
______•_.___•. Ya-t'il un ultime moyen de s'envoler? Pourquoi je n'avance pas comme les autres? Pourquoi?
______•_.___•. Ya-t'il un ultime moyen de s'envoler? Pourquoi je n'avance pas comme les autres? Pourquoi?
Pourquoi je fais toujours tout de travers, sans jamais réfléchir, et sans cesser de me poser des questions? .•_.________
•_.___•______
•_.___•______
[ pix: Halloween 09'-@ Mac Ewans / Twiggy & Daisy frOm The Spooky Kids ]
Je ne vois plus que le temps, le temps de se réveiller, de s'assurer
que le cauchemard est fini, qu'on est tombé bien bas, mais que ça
n'a plus d'importance. Je ne vois plus que ce temps, qui jamais n'
arivera, je ne vois plus la lumière, je ne me sens plus moi, réveillez-moi....
Comment j'en suis arrivée là? Prisonnière d'une situation qui jamais n'évoluera....?
que le cauchemard est fini, qu'on est tombé bien bas, mais que ça
n'a plus d'importance. Je ne vois plus que ce temps, qui jamais n'
arivera, je ne vois plus la lumière, je ne me sens plus moi, réveillez-moi....
Comment j'en suis arrivée là? Prisonnière d'une situation qui jamais n'évoluera....?
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
J'en peux plus de ne plus parler qu'en images et de devoir me taire, bordel! Tout ce que je dis ou pense est déstructeur! Je craque, j'voudrais gueuler au monde qu'il a tort, j'voudrais vous prouver, mais putain, si seulement... Si seulement j'avais pas fait autant de dégâts j'en serais peut-être pas là, j'aurais pas arrachée une partie de moi, j'aurais pas à jouer un rôle, à me renfermer dans un silence qui ne me ressemble pas, si seulement... Si seulement je n'avais pas autant honte de moi. Si seulement je n'étais pas ce putain de papillon en train de crever...
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
Il paraît que je ne meurs jamais...
✖
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# Enviado el miércoles 18 de noviembre de 2009 15:26
Modificado el viernes 20 de noviembre de 2009 11:14
.Quoi qu'ils en pensent c'est le seul endroit où j'ose encore me perdre....
où es-tu petit agité?
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# Enviado el viernes 20 de noviembre de 2009 17:25
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